The eloquent relationship between what is temporal and timeless in the artistic object is somehow its eternity. Every piece of art is loyal to its time period per se. Art reclaims it as a subject and demands it decisively to implement all its meanings and experiences in its condition of durability and calm. This issue opens at least three approaches. First, the notion of time defines every piece of art. Secondly, the different ways in which it could be addressed or represented the notion of time. Finally, the main objected that tries to express in the exhibition, the necessity of a contemplative willingness in the audience, whose task is registered in the experience if a quiet time against the anxiety of the fugacity and consumption of time. Taking all this aspects into account, the exhibition determines as a priority to highlight the protagonist role of this last condition: this means to put tempus quietare ahead of tempus fugit.